Warning: Last items in stock!
Size: 23x28 cm
Through which devices are ideas communicated? Where do images reside? A selection of eight of Joan Fontcuberta’s most significant projects confronts us with these questions. Herbarium, Fauna,Sputnik, Securitas, Pin Zhuang, Miracles, Deconstructing Osama and Trepat stake out between 1984 and 2014 an artistic inquiry rightly known as the problematization of the “regimes of truth” in photography. But on this occasion the criterion of selection put forward by curator Sema D’Acosta adds an original perspective: the contrast in Fontcuberta’s work between the distribution in space (exhibitions, installations) and the layout on the page (photo books, signature books). In other words, we are here being presented with a pedagogical balancing of equations, the variables of which are the contents, the media used and the audiences.
Pages: 128Size: 20.5 x 27.5 cmImages: 90Language: eng. Español: A la pata coja, Eduardo Arroyo Français: À Coche-pied, Eduardo Arroyo The eclectic collection of photographs with feet raised above the ground, gathered by the artist Eduardo Arroyo.
Pages: 128Size: 20.5 x 27.5 cmImages: 90Language: esp. English: Hop Hopping, Eduardo Arroyo Français: À Cloche-Pied, Eduardo Arroyo The eclectic collection of photographs with feet raised above the ground, gathered by the artist Eduardo Arroyo.
Texts: Rosa Olivares and María Teresa Gutiérrez BarrancoPages: 96Format: LandscapeImages: 50 (apx.)Binding: hardcoverLanguage: eng.—esp. Pilar Pequeño’s portrayal of time, climate, memory and ruin at two abandoned buildings in Spain.
Laia Abril Samuel Aranda Israel Ariño Rafael Arocha Arnau Blanch Pep Bonet Ricardo Cases Salvi Danés Eugeni Gay David Jiménez Alejandro Marote Cristina de Middel Fernando Moleres Paula Ospina Christian Rodríguez Carlos Spottorno