Warning: Last items in stock!
Photographs: Ricardo Cases
Text: Luis López Navarro
Translation: Aitor Arauz Champman
Graphic design: Ángel Álvarez (Tipode Office)
Prepress: La Troupe
Loose bound with transparent sleeve
21 x 29,7 cm
Continuing the line started in El porqué de las naranjas (MACK, 2014), Ricardo Cases investigates again the cliché of the Levantine coast. Approaching his work as if it was child’s play consisting of representing the sun, the author is plunged into the blinding light of the Levantine summer seeking its essence, letting himself be carried away by the sensations and questioning how the sun determines the identity, aesthetics and local economy.
“I was born on a rocky, inhospitable planet dominated by a star that looms too close. My sky is circled by a massive ball of fire that I don’t dare look at directly. I have grown accustomed to living with its burning breath on my neck, my head hung down in shame. The only way I can gaze at it safely is to discreetly seek out the shadows it casts on surfaces, its reflection in wells and mirrors. With the right technique and an awareness of cosmic distances you can learn to find your way by triangulation; with caution, with fear.”
Extract from the text by Luis López Navarro included in the book Sol.
KWY Ediciones. Lima, 2017Archive: Grupo YuyachkaniPhotocopies: Julián BarónSilk-screens: Alex ÁngelesText: Mijail MitrovicTwo cardboard covers + silk-screen on both sides + industrial elastic rubber29 x 21 cmFirst edition of 300 copiesPages: pages are a pdf that you can download and print at your home
Pages: 64 Size: 32x24´5 cm. Language: The introductory texts are in English and Spanish. The artist´comments on the images are in German, English, Spanish, French, Italian and Portuguese
Léa HabourdinFuego Books Photography: Léa Habourdin. Design: Jorge Fernández Puebla Edition: Léa Habourdin, Gustavo Alemán Publisher: Fuego Books Size: 12,4 x 18,7 cm Pages: 108 Print run: 500 Printed by: Artes Gráficas PalermoLanguage: English, French and Spanish
Gerard BoyerFuego Books Photography: Gerard Boyer Concept, edition and design: Gerard Boyer, Ignasi López, Román Yñán. Art direction: Ignasi López, Román Ynán. Publisher: Fuego Books Size: 22,6 x 32 cm Pages: 64 Print run: 500 ejemplares. Printed by: CeGeLanguage: Catalan, Spanish, English
A colllective photobook inspired by Twin Peaks and the work of David Lynch. Size: 20x27cmExtension: 208 pagesBinding: HardcoverDesigned by Rubio&Del AmoPrepress by Control-PPrinted by A.G Palermo137 photographsTexts in Spanish and English
Rita Puig-Serra & Dani Pujalte, 2017 Design: Affaire ProjectsBinding: RústicaExtension: 120 páginasSize: 20 x 27 cm500 copies edition This publication has been produced in collaboration with Obra Social "la Caixa" within the framework of 20 FotoPress "la Caixa".
Les Rencontres de la Photographie Arles 2017 SAM STOURDZÉ Date of Publication : 01/07/2017 Language : English Number of pages : 384 Publisher : Les Rencontres d'Arles - Actes Sud Catalogue Rencontres d'Arles 2017 (English)
Roger Ballen Format: HardbackSize: 24.0 x 17.0 cmExtent: 192 ppPublication date: 29 September 2016Publisher: Thames & Hudson An immersive, groundbreaking new monograph from Roger Ballen, one of the world’s most original and critically acclaimed art photographers.
Roger Ballen Format: HardbackEdition Type: First editionSize: 32.0 x 30.0 cmExtent: 336 ppIllustrations: 330Language: eng.Publisher: Thames & Hudson A major, mid-career retrospective of one of the world’s most remarkable and critically acclaimed art photographers.
David Campany, Hripsimé Visser, Nan Goldin Hardcover240 pagesPublisher: Prestel (April 27, 2017)Language: EnglishSize: 24 x 30 cm This beautifully illustrated monograph accompanies a full retrospective on the acclaimed Dutch photographer and filmmaker Ed van der Elsken.
English196 pages140 colour plates23 cm x 27 cmPublication date: April 2017Publisher: MACK "What is Pictures from Home? A memoir, a scrapbook, a cry of pain, and an album of bitterly affectionate photographs. Larry Sultan’s images and words were his reconciliation with the oedipal mess of the American Dream." – David Campany